中国四川省で世界最大の大地震

中国四川省で世界最大の大地震

This Image was ranked 56 by BING for keyword 地震, You will find it result at Bing.com.

Wallpaper Deep Information FOR 中国四川省で世界最大の大地震's Wallpaper
TITLE:中国四川省で世界最大の大地震
IMAGE URL:https://kyouno.com/turezure/shisendaijishin05.jpg
THUMBNAIL:https://tse4.mm.bing.net/th?id=OIP.SorPaz1zprv5hvyvSY7tQQHaE8&pid=Api&P=0&w=300&h=300
IMAGE SIZE:453.6KB Bs
IMAGE WIDTH:800
IMAGE HEIGHT:535
DOCUMENT ID:OIP.SorPaz1zprv5hvyvSY7tQQHaE8
MEDIA ID:resitem-55
SOURCE DOMAIN:kyouno.com
SOURCE URL:https://kyouno.com/turezure/20080519_shisendaijishin.htm
THUMBNAIL WIDTH:474
THUMBNAIL HEIGHT:316

Related Images with 中国四川省で世界最大の大地震

At least two perspectives of layout endeavor are consistent with the action-centric perspective. Both contain 3 undemanding activities.

地震情報 2019年11月13日 01時07分頃発生 最大震度:2 震源地:大阪

地震情報 2019年11月13日 01時07分頃発生 最大震度:2 震源地:大阪
A design process is a widespread philosophy which may or won't comprise a aid for specific methods. Some are to lead the overall goal of the design. Different procedures are to steer the traits of the designer.

昭和三陸地震(1933年):時事ドットコム

昭和三陸地震(1933年):時事ドットコム
In the reflection-in-action paradigm, designers alternate between "framing", "making moves", and "evaluating moves". "Framing" refers to conceptualizing the problem, i.e., defining goals and objectives. A "move" is a tentative layout decision. The evaluation procedure may lead to further strikes in the design.

熊本地震とラジコン。そして不謹慎狩りと過剰な自粛ラジコン

熊本地震とラジコン。そして不謹慎狩りと過剰な自粛ラジコン
The rational model was independently developed by Herbert A. Simon,[8][9] an American scientist, and two German engineering design theorists, Gerhard Pahl and Wolfgang Beitz

親子で地震対策(1)地震発生!そのときとる行動 NHK すくすく

親子で地震対策(1)地震発生!そのときとる行動  NHK すくすく
In the sensemaking–coevolution–implementation framework, designers alternate among its 3 titular activities. Sensemaking contains the two framing and comparing moves. Implementation is the method of creating the design object. Coevolution is "the approach wherein the design agent simultaneously refines its mental picture of the layout object in keeping with its intellectual photograph of the context, and vice versa"
Next Post Previous Post
No Comment
Add Comment
comment url